On the back wall of a space that once served the customers of a gas station, hangs a series of graphic works. The silkscreen prints take their inspiration from the everyday banality of price collusion between oil importers that was estimated to have taken place between 1993 til 2001. These images are composed through the rhythmic repetition of logos from either regulatory bodies or lobby groups, woven together to form patterns. Colour schemes of other logos form the basis for colour gradients that have been hand-printed onto those patterns. Together, they form nine compositions. Each of which present a variation of what homeostasis may look like as pictorial composition. Whether the homeostasis of any the current order is desirable or not is, however, an open question.








