
The exhibition includes ‘Deconstruction,’ a sculpture made from mounting a metal plate at a diagonal slant. Stylistically reminiscent of 80s furniture design, the structure seems both rational and practical – perhaps because steel structures tend to give the air of practicality when perforated steel sheets are placed upon them. Yet on closer inspection, the structure has no clear function, serving neither as wall a partition nor a table. And may even be said to convey something of the irrational in its construction – both in its relationship with gravity and in proportions that refuse to conform to standards of rectangularity.

The exhibition includes ‘Deconstruction,’ a sculpture made from mounting a metal plate at a diagonal slant. Stylistically reminiscent of 80s furniture design, the structure seems both rational and practical – perhaps because steel structures tend to give the air of practicality when perforated steel sheets are placed upon them. Yet on closer inspection, the structure has no clear function, serving neither as wall a partition nor a table. And may even be said to convey something of the irrational in its construction – both in its relationship with gravity and in proportions that refuse to conform to standards of rectangularity.